Pour son deuxième film, Paul Feig ne s'est pas cassé la tête trop longtemps. Le réalisateur (...) a recyclé les éléments gagnants de HOME ALONE en transposant le tout dans un aéroport. (...) Les scènes d'action criardes et répétitives sont généralement divertissantes, mais il en va autrement de l'humour qui tombe souvent à plat et des situations consternantes, plus que ridicules. Le rare potentiel intéressant (la solitude en ces temps de joie) est rapidement évacué pour laisser la place à des morales primaires (...).

• Accès à la publication

As a director of edgy TV comedy (...), Paul Feig is used to balancing snarky dialogue and emotion - he might have been expected to inject more weirdness into this family film. Yet he seems to reserve the best humour for his adult cast (...). Feig appears to have had little chemistry with his child actors (...). A plot involving several children who have neuroses about Santa is intriguing, but never followed through. (...) This is a pretty agreeable farce but it could have done with sharper lines and more spontaneous kids.

• Accès à la publication

HOME ALONE meets THE TERMINAL meets THE BREAKFAST CLUB in UNACCOMPANIED MINORS, a hyper sugar rush of a yuletide-themed frolic about a group of unsupervised kids who run wild in an airport on Christmas Eve after a major blizzard has shut it down.

• Accès à la publication